Assassins Takes Provocative Aim

This provocative and entertaining rendition of Stephen Sondheim’s dark musical comedy gives a salute to both the successful and not-so-successful presidential killers. Dark Horse Company Theatre’s Assassins is not only timely with the current political climate and raging gun control debate, but it is also for the most part, right on target. Continue reading

This is NOT the moment for Dark Horse Company Theatre’s “Jekyll and Hyde”

If you are in the mood for a dark musical just in time for Halloween this may be a good choice. “Jekyll and Hyde” is a challenging undertaking for many reasons… In order for “Jekyll and Hyde” to be successful two things must be present: very strong directing and detailed choices to compensate for the lacking material, and a strong dimensional actor playing Dr. Jekyll. Unfortunately this production was not up for the challenge and failed on both accounts… Continue reading

Razzle me, dazzle me, baby!

Who needs 50 Shades of Grey or Magic Mike when they have Dark Horse Company Theatre’s Chicago? This musical, currently the fourth longest-running show on Broadway, is full of songs that pack a dark-humored punch. Its also one steamy show with lots of sex appeal. Continue reading

Fall In To a Ring of Fire In Park City

I didn’t know what to expect from this production. I knew it had Johnny Cash music, and . . . . that’s about all I knew. I had never been to the Egyptian Theatre before, but the space is lovely, parking was easy-peasy, staff was friendly, and the plethora of local sponsors made me feel like I had joined a very cool club. Continue reading

Gypsy Bares All

Presenting a musical like Gypsy is no mean feat. Its subject matter is difficult (a mother who drives her two children to stardom, eventually driving one away from her and another into a career as a burlesque stripper). It’s been through four Broadway revivals. It’s been made into a film twice. It’s starred stage greats like Bernadette Peters, Patti LuPone, and Ethel Merman. It’s been touted as musical theatre’s answer to Shakespeare’s King Lear.

No pressure. Continue reading

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