BackStage Utah

Aaaaaand it flopped.

The Story of My Life, a charming new musical starring the incomparable Will Chase and Malcolm Gets, closed yesterday after 18 previews and 5 regular performances.

I was lucky enough to be in the audience on Friday, February 13th. The musical features a unit set, simple orchestrations by Jonathan Tunick, touching and funny songs, and stellar performances by two of the best actors working in musical theatre. The critics major complaints: the story line was too clich�, the emotions too sentimental, and (my favorite) the songs sounded ripped off from Stephen Sondheim.

To be honest, there's some truth to the criticism. Yes, the story of a man trying to explore where his life-long friendship went wrong may be a bit clich�. And yes, the subject matter lends itself to heartfelt songs that might be a little too much for jaded New York audiences. As for ripped-off Sondheim, I would be astounded if the authors might haven't been influenced by the most influential musical theatre writer of the past 50 years. It's ironic that some of the most tuneful, accessible music is being compared negatively to Sondheim! �I think critics talk just for the sheer enjoyment of hearing their own voices.

Contrary to the hyper-critical rhetoric, I believe the creators of The Story of My Life have incorporated their experience into a voice all their own. Perhaps their stories are a bit na�ve, but who says that's a bad thing?

The critics' pooh-poohing aside, I found this simple gem of a musical profoundly moving. I first discovered the show via an audio bootleg of the 2006 Toronto production. The sound was distorted but as the emotion of the music settled in, I found myself moved to tears. So I quickly sought out the composer's demo which immediately confirmed my belief about the material. Knowing it was coming to Broadway and having some idea of the critical response it was likely to generate, I had to see it. And the experience was well worth the effort. For an hour and a half, I sat engrossed in a Broadway show stripped nearly to its purest essentials. No helicopters, no flying monkeys, no tap dancing on the ceiling...just two consummate performers telling a simple story. While the show is far from perfect, the concept is theatre at its best.

Sadly, such a short run will likely leave us without a Broadway cast recording...and it's a shame these two performances won't be preserved. Still I believe that this show has the potential to become a favorite among small theatres around the country. I sincerely hope that this show finds a life beyond what on the surface appears to be a Broadway failure. In my book, what I experienced in the front row of the Booth Theatre on Friday the 13th was anything but a failure. Bravo and best wishes to the inspired cast and creators!

P.S. To anyone wanting a small taste of this beautiful show, two songs appear on the show's official website: www.thestoryofmylife.com. I don't know how long the website will be up, given the fact that the show is closed, so take a moment and go listen to Malcolm Gets and Will Chase sing two great songs from this show.

SN wrote on Feb 23^rd, 2009 at 11:13am:


This is a good point. I'm nto at all familiar with this play, and not especially familiar with Sondheim, but your point about influence is very valid. It's like the inevitable comparisons filmmakers get to Alfred Hitchcock. When you have someone that revolutionized the medium in which you work, you can't help but be influenced by them, sometimes even subconciously.