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When do you admit your range is ... your range? (Read 1212 times)
Apr 18th, 2008 at 10:50am

mr. spiker   Offline
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So, with a musical coming up for me next I am getting back into singing and thinking about singing. I used to sing quite seriously, but put it away when I made the decision to head into "straight" theatre for school instead of opera/vocal performance.

Now I'm realizing that in this market, since I can sing I probably should. I'll never be a real musical comedy guy, but there are possibilities I shouldn't close myself off from.

Anyways ... I have many questions I'd love to ask some of the more experienced singers. Here's one: I started out a true bass, but gradually expanded the upper range to a comfortable baritone/2nd tenor. �When do you simply give up and say "that's just flat out of my range"? Obviously, there are limits, but how do you draw them? If you usually top out at F ... when do you say "nope ... can't do F# or a G".

 
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Reply #1 - Apr 18th, 2008 at 11:33am

julesb2183   Offline
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If the note is strained and not full, than the note is probably out of your particular range.
 
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Reply #2 - Apr 18th, 2008 at 12:15pm

Tshep   Offline
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julesb2183 wrote on Apr 18th, 2008 at 11:33am:
If the note is strained and not full, than the note is probably out of your particular range.


But there is always the option of transposition.... and this is where your ability to act the song becomes more important than technical perfection.
 

They say, best men are moulded out of faults; &&And, for the most, become much more the better &&For being a little bad.
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Reply #3 - Apr 18th, 2008 at 12:17pm

Wc365   Offline
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Tshep wrote on Apr 18th, 2008 at 12:15pm:
But there is always the option of transposition.... and this is where your ability to act the song becomes more important than technical perfection.

My sole saving grace.
 

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Reply #4 - Apr 18th, 2008 at 1:44pm

mr. spiker   Offline
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julesb2183 wrote on Apr 18th, 2008 at 11:33am:
If the note is strained and not full, than the note is probably out of your particular range.

It may be out of your range, or you just may need to focus on technique more: relaxing, breathing, attacking, etc.

It's the line between those that's confusing me. Where's that thine where technique won't help and it's simply beyond what your body can produce? Is there an absolute physical limit, or is it only a matter of technique?
 
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Reply #5 - Apr 18th, 2008 at 2:02pm

Ursley   Offline
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There definitely is a physical limit.  I mean, I will never be a mezzo (it was very hard for me to admit this) because try as I might, I don't have a good low range.  A G is definitely my lowest dependable note, and it's never strong.  Right now I'm singing down to a C, but it's only because I'm sick, and I shouldn't actually be phonating at all.  But that's something else again.

It's definitely possible to extend your range with practice and good technique, and a good vocal coach can help you with this.  I've expanded my upper range quite a bit by learning better placement and better breathing techniques.  But still, there's a physical limit.  I mean, your vocal cords can only do so much.

Someone who has studied vocal pedagogy can most likely give you better answers, but I just thought I'd chime in with my two cents.

And now, back to not phonating.  Stupid juries next week....mumble mumble mumble...
 

Nobody likes a blonde in a hamster ball.
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Reply #6 - Apr 18th, 2008 at 3:55pm
The Dark Knight   Ex Member

 
When the note is in a song, and must sound tuneful, I pretty much consider it beyond me.
 
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Reply #7 - Apr 18th, 2008 at 4:31pm

The Professor   Offline
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Quote:
When the note is in a song, and must sound tuneful, I pretty much consider it beyond me.


I take this one step further.  If a note is in a song, it's pretty much beyond me.
 

My skills are as varied as they are impractical.
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Reply #8 - Apr 18th, 2008 at 5:17pm

shimmer   Offline
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I have the knowledge to give a long, scientific lecture on healthy voice, vocal cord abilities vs. restrictions, etc.

But I'm going to do it this way:

If you don't think you can hit a certain note night after night without an insecurity creeping in, causing there to be a bit of reluctance in some of your performance, then it's out of your vocal range.  And if being sick will take it completely out of the picture, fuggeddaboutit.  Range isn't what you can hit sometimes... it's what people can count on from you.

I'm just not the type to over-flatter myself.  When people ask me what my range is, I'm not going to say "low C to high E" just because I hit an E once in the shower when I was hyped up on candy and in my vocal prime.  I say, "I'm an alto with a mezzo range and I can sing soprano on a really good day... but you'll have to be desperate." 

Be honest with yourself.  If you're hesitant to saying you can reach a note.... admit that. 

P.S. Men's voices peak later in life then women's.... jerks.
 

"Education without values, as useful as it is, seems rather to make man a more clever devil. "  C.S. Lewis
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Reply #9 - Apr 19th, 2008 at 3:56pm

mr. spiker   Offline
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shimmer wrote on Apr 18th, 2008 at 5:17pm:
I have the knowledge to give a long, scientific lecture on healthy voice, vocal cord abilities vs. restrictions, etc.

That's what I'm actually getting at, and would love to hear about.

I'm not asking specifically about my range, just wondering about the biophysics of it all, I guess. The theory of it all. Let's say your top note is C ... well, C# is just a few MHz away, right? And once you get those MHz, well D is not that far off, either.

What's the point as which there is an absolute limit  on what an individual's vocal chords can produce in a literal sense vs. what can be achieved with more training, etc.

These are the sort of things I wonder about. I have a pretty good sense of my own range, but I'm fascinated by it's limits and why they exist.
 
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Reply #10 - Apr 19th, 2008 at 9:01pm

Mister Grinch   Offline
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Yes, please! �Be scientificky! �And also explain why I have a nice bass/baritone, and an ok alto, and a beautiful, wide-ranged soprano (most days I can sound like June Bronhill, on rare good days I can sound like Harolyn Blackwell), but no tenor at all.

Especially when male leads are almost always tenors. �Sad  (well, male leads also don't have my face, so I've kind of made my peace with it all already, but still, not being able to hit those darn tenor notes irks me sometimes.)
 

There is one thing you never put in a trap, if you're smart - if you value your continued existence - if you have any plans about seeing tomorrow there is one thing you never EVER put in a trap.� Me.

Listen, I don't know what sort of kids you've been flying around with in outer space, but you're not telling me to shut up!

As long as I don't bleed or cry, I'll do it!
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Reply #11 - Apr 22nd, 2008 at 1:51pm

FRANta Claus   Offline
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I thought I was an alto, because that's what I've always sung in groups, but turns out I'm a mezzo (can't always hit those really low notes...).  However, I'm not always terribly confident about my high range (working on that, eh Pers?), so at auditions, I put both and sing something mezzo.
 

You have no power over me!

Ye have not applied your hearts to understanding, therefore ye have not been wise.
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Reply #12 - Apr 24th, 2008 at 2:23am

Persistent   Offline
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I'd love the scientific explanation as well.  I know where my voice tops out, and where it bottoms out.  As a vocal coach, I'm fascinated by the voices of my students, what their total ranges are, and how that compares to usable range and where their "money notes" live.

Voice is fascinating to me.  If I felt like going back to school, I'd have many research projects I'd be ready to delve into.
 

Charity is kind...Doth not behave itself unseemly...is not easily provoked...and is not sleep deprived.
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Reply #13 - May 12th, 2008 at 6:10pm

BigMonkey   Offline
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shimmer wrote on Apr 18th, 2008 at 5:17pm:
P.S. Men's voices peak later in life then women's.... jerks.

this explains a lot about what's been happening to me the last 5 years... I used to feel like an actor who sings...and suddenly, I'm focussing more on my voice because I'm getting better results.

hmmm....
 

You can't get a "yes" if you never ask the question.
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Reply #14 - May 13th, 2008 at 5:03pm

Mind Your Business Time   Offline
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OK, if you're a baritone/bass and want to do musical theater, you are never, ever, ever, ever, etc. honest about your range, because as has been said, the best parts are all tenor.  So once you have them fooled and they cast you, it's often times too late, and you get the primo part!!!  Hey, it's worked for me for a few years anyway.
 

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Reply #15 - May 13th, 2008 at 5:16pm

The Professor   Offline
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Mind Your Business Time wrote on May 13th, 2008 at 5:03pm:
OK, if you're a baritone/bass and want to do musical theater, you are never, ever, ever, ever, etc. honest about your range, because as has been said, the best parts are all tenor. �So once you have them fooled and they cast you, it's often times too late, and you get the primo part!!! �Hey, it's worked for me for a few years anyway.


Of course, what Business Time fails to mention is that he has worked very hard on extending his range, and has a wonderful singing voice.  For those of us who truly are basses, it's a wee bit harder to pull off that trick.  Especially if you can't carry a tune if it was strapped to your back.

Just sayin'....
 

My skills are as varied as they are impractical.
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Reply #16 - Jun 16th, 2008 at 9:42am

mr. spiker   Offline
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mr. spiker wrote on Apr 18th, 2008 at 10:50am:
So, with a musical coming up for me next I am getting back into singing and thinking about singing. I used to sing quite seriously, but put it away when I made the decision to head into "straight" theatre for school instead of opera/vocal performance.

Now I'm realizing that in this market, since I can sing I probably should. I'll never be a real musical comedy guy, but there are possibilities I shouldn't close myself off from.

Anyways ... I have many questions I'd love to ask some of the more experienced singers. Here's one: I started out a true bass, but gradually expanded the upper range to a comfortable baritone/2nd tenor. �When do you simply give up and say "that's just flat out of my range"? Obviously, there are limits, but how do you draw them? If you usually top out at F ... when do you say "nope ... can't do F# or a G".



So - to answer my own question in a way ...

I easily added a third to my range in this show. Sure... it's not like I was sailing on those G#s, but I sang 'em.

... oh, and then there's that high C where I used falsetto for the first time ever. Clasical bass/baritones don't exacyly get asked to do that often in their training. Smiley
 
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Reply #17 - Jun 19th, 2008 at 3:50am

The Kaylee and the Ivy   Offline
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All right, now I'm curious to hear what Shimmer has to say.

And I have two questions: when do women's voices apparently peak? (Please don't make me nervous here, I'm desperate to start back into voice and I already feel like I'm way too old. That, and I'm scared to death of it because I know I am not always a healthy singer and I'm somewhat concerned that I've done irreparable damage. Continuing on.)

Secondly: I remember my voice teacher in high school telling me that there are very few "true" altos. There were some qualifiers that she slipped in there that I can't remember, but I'm wondering if it's right. It's something I've wondered for a while.

Anyway! Shimmer and Persistent should say things, because I find it fascinating.
 

If we're going to die, let's die looking like a Peruvian folk band.
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